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<title>World Malayalee Voice &#45; : CINEMA</title>
<link>https://worldmalayaleevoice.com/rss/category/cinema</link>
<description>World Malayalee Voice &#45; : CINEMA</description>
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<dc:rights>Copyright © 2026 World Malayalee Voice. All Rights Reserved.</dc:rights>

<item>
<title>ആറ് മാസത്തെ കാത്തിരിപ്പിന് വിരാമം; വിജയ്‍യുടെ ‘ജനനായകൻ’ എത്തുന്നു</title>
<link>https://worldmalayaleevoice.com/vijay</link>
<guid>https://worldmalayaleevoice.com/vijay</guid>
<description><![CDATA[  ]]></description>
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<pubDate>Thu, 16 Jul 2026 13:00:08 +0000</pubDate>
<dc:creator>wmvadmin2</dc:creator>
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<title>I, Nobody: Prithviraj&#45;Parvathy’s engrossing thriller loses itself in political theatre</title>
<link>https://worldmalayaleevoice.com/i-nobody-prithviraj-parvathys-engrossing-thriller-loses-itself-in-political-theatre</link>
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<description><![CDATA[ Follow TNM&#039;s WhatsApp channel for news updates and story links.I, Nobody (Malayalam)There’s a broken three-seater chair at a police station in I, Nobody. Rajeevan, the film’s titular ‘nobody’ played by Prithviraj Sukumaran, attempts to sit on it while waiting through yet another visit to the station, nearly losing his balance as one of the seats gives way. His wife Meera (Parvathy Thiruvothu) makes the same mistake days later, while waiting to bail Rajeevan out in a case he has been unwittingly pulled into. Nobody fixes the chair, just as nobody seems interested in fixing the institutions that keep failing the couple throughout the film.This is the kind of understated visual detail that director Nisam Basheer and writer Sameer Abdul get right. Reuniting after Rorschach (2022), the duo builds I, Nobody around a simple but compelling premise: what happens when an ordinary man is caught in circumstances far beyond his control, and every institution he turns to only tightens the noose around him? For a good hour or so, the film answers that question with exceptional confidence.Rajeevan is a government employee living an unremarkable life, up until he ends up at the wrong place at the wrong time, and is pulled into the centre of a crime he had no part in. The screenplay is at its strongest when it trusts the audience to observe rather than be told. It patiently immerses us in Rajeevan’s growing helplessness, his endless waits at police stations, the creeping suspicion around him, and the quiet indignities of being treated like a suspect before he has even had the chance to explain himself. The film does such a convincing job of grounding Rajeevan in the everyday that we instinctively begin rooting for him, hoping that reason will eventually prevail over bureaucracy and public hysteria.In its first hour or so, I, Nobody soars on the strength of its sharp storytelling, efficiently setting up the plot while steadily building tension. The craft is evident in how some of the early sequences are staged, with Jakes Bejoy’s music doing a lot of the heavy lifting. One particularly effective sequence follows Rajeevan as suspicious glances, television cameras, and mobile phones begin to trail his every movement, turning an anonymous citizen into the object of relentless public scrutiny. Later, when Rajeevan is forced to brandish a knife against an encircling crowd, the scene briefly evokes memories of the 1989 classic Kireedam, another tragedy about an ordinary man pushed towards violence by circumstances beyond his control.Prithviraj delivers one of his more restrained performances in recent years, allowing Rajeevan’s mounting exhaustion and helplessness to emerge quietly rather than through dramatic outbursts. Parvathy too brings emotional conviction to Meera, becoming a steadying presence in the film even when the screenplay threatens to drift. Hakim Shajahan, Ashokan, Beena R Chandran, and the two child actors, Nakshatra and Ayra, among others round off a uniformly dependable supporting cast.Interestingly, the film also has a sly running joke about a digital news outlet called ‘Palanadan Malayali’, fronted by one ‘Palanadan Varghese’ — a thinly disguised jab at a certain real Kerala portal, infamous for its outrage-driven journalism.But all that said, at just under three hours, I, Nobody simply runs too long, and the cracks start showing well before the end. Threads that seemed purposeful early on stop making sense. Ideas about crowd mentality and public complicity, which the film handles well early on, get buried under plotting that takes bigger and bigger swings, most of which don’t land. Even the otherwise slick action choreography occasionally undermines the grounded realism established earlier. An effectively staged elevator fight, for instance, has Rajeevan struggling against two opponents he should realistically be able to overpower, only for later sequences to ask viewers to accept this ‘nobody’ taking on far greater odds with relative ease. It’s a small thing, but it’s symptomatic of a film that stopped checking its own internal logic.The bigger issue, however, is a tonal swerve nobody asked for. Somewhere past the midpoint, the film abandons its personal, human story and turns into something closer to political theatre, complete with a chief minister character whose mannerisms will be instantly recognisable to anyone who’s followed Kerala politics this past decade. While the parody is unmistakable, it proves surprisingly unimaginative, replacing the film’s nuanced observations with an on-the-nose climax that feels more like a copout than an earned conclusion.It’s also in this stretch that the film makes its most questionable choice. Without giving away how it’s staged, I, Nobody introduces a fictional MLA accused of sexual assault, but the parallels to a real, still-unfolding case involving a (then) sitting MLA and the women who have accused him are difficult to miss. The film folds this allusion into its plo ]]></description>
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<pubDate>Thu, 09 Jul 2026 13:27:18 +0000</pubDate>
<dc:creator>WorldMalayalee</dc:creator>
<media:keywords>Nobody:, Prithviraj-Parvathy’s, engrossing, thriller, loses, itself, political, theatre</media:keywords>
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<title>അൻസിബയുടെ പരാതി; ടിനി ടോം മുൻകൂർ ജാമ്യാപേക്ഷ നൽകി</title>
<link>https://worldmalayaleevoice.com/tini</link>
<guid>https://worldmalayaleevoice.com/tini</guid>
<description><![CDATA[  ]]></description>
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<pubDate>Wed, 08 Jul 2026 12:18:50 +0000</pubDate>
<dc:creator>wmvadmin2</dc:creator>
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<title>ആമിർ ഖാൻ വീണ്ടും വിവാഹിതനായി; ഗൗരി സ്പ്രാറ്റിനൊപ്പം പുതിയ ജീവിതത്തിലേക്ക്</title>
<link>https://worldmalayaleevoice.com/aamir</link>
<guid>https://worldmalayaleevoice.com/aamir</guid>
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<pubDate>Sun, 05 Jul 2026 11:00:50 +0000</pubDate>
<dc:creator>wmvadmin2</dc:creator>
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<item>
<title>Ananthathayilekku &#45; short film</title>
<link>https://worldmalayaleevoice.com/ananthathayilekku-short-film</link>
<guid>https://worldmalayaleevoice.com/ananthathayilekku-short-film</guid>
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<pubDate>Thu, 02 Jul 2026 16:45:32 +0000</pubDate>
<dc:creator>wmvadmin2</dc:creator>
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<item>
<title>Obsession unrated: 2026’s highest&#45;grossing horror film to stream on Apple TV</title>
<link>https://worldmalayaleevoice.com/obsession-unrated-2026s-highest-grossing-horror-film-to-stream-on-apple-tv</link>
<guid>https://worldmalayaleevoice.com/obsession-unrated-2026s-highest-grossing-horror-film-to-stream-on-apple-tv</guid>
<description><![CDATA[ Follow TNM’s WhatsApp channel for news updates and story links.The unrated version of Obsession, the highest-grossing horror film of 2026, launches on Apple TV on Tuesday, June 30. Popular for its gripping storyline and intense emotional pull, the film’s OTT premiere in an unrated format is anticipated to attract both people who watched it in theatres, as well as others. For horror fans, unrated releases typically mean more graphic violence, extended sequences, and a fuller narrative experience. The unrated cut includes material removed from the theatrical version. Six or seven hits trimmed a scene depicting an important character arc to avoid an NC-17 rating. The unrated version is believed to restore this content. Directed by Curry Barker, Obsession follows a music store employee who buys a supernatural toy that grants his wish for his childhood crush to love him, resulting in untoward consequences.Made with a budget of only $750,000 (Rs 7.14 crore) to $1 million (Rs 9.50 crore), the film has already earned $334 million (₹3,151.95 crores) worldwide and about Rs 79 crore in India. Obsession opened at the Toronto International Film Festival on September 5, 2025. The film was then released theatrically on May 15, 2026. For Apple TV, the move is expected to renew interest, increase streaming activity, and give the film a second wave of attention. It also gives viewers a chance to revisit the title and compare the new, unrated version with the original one. This story was written by a student interning with TNM ]]></description>
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<pubDate>Tue, 30 Jun 2026 12:19:21 +0000</pubDate>
<dc:creator>WorldMalayalee</dc:creator>
<media:keywords>Obsession, unrated:, 2026’s, highest-grossing, horror, film, stream, Apple</media:keywords>
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<title>സാമ്പത്തിക തർക്കം; ദിലീപ് നായകനാകുന്ന &amp;apos;നീക്കം&amp;apos; സിനിമയുടെ റിലീസ് തടഞ്ഞ് മദ്രാസ് ഹൈക്കോടതി</title>
<link>https://worldmalayaleevoice.com/neekkam</link>
<guid>https://worldmalayaleevoice.com/neekkam</guid>
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<pubDate>Wed, 24 Jun 2026 13:31:30 +0000</pubDate>
<dc:creator>wmvadmin2</dc:creator>
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<title>മമ്മൂട്ടിയും വെള്ളാപ്പള്ളിയും കെ ടി തോമസും പി നാരായണനും പത്മ അവാർഡുകൾ രാഷ്ട്രപതിയിൽ നിന്ന് ഏറ്റുവാങ്ങി</title>
<link>https://worldmalayaleevoice.com/padma</link>
<guid>https://worldmalayaleevoice.com/padma</guid>
<description><![CDATA[  ]]></description>
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<pubDate>Tue, 23 Jun 2026 20:13:15 +0000</pubDate>
<dc:creator>wmvadmin2</dc:creator>
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<title>&amp;apos;വാഴ 2 &amp;apos; ഒടിടിയിലെത്തി</title>
<link>https://worldmalayaleevoice.com/%E0%B4%B5%E0%B4%BE%E0%B4%B4-2-%E0%B4%92%E0%B4%9F%E0%B4%BF%E0%B4%9F%E0%B4%BF%E0%B4%AF%E0%B4%BF%E0%B4%B2%E0%B5%86%E0%B4%A4%E0%B5%8D%E0%B4%A4%E0%B4%BF</link>
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<pubDate>Fri, 08 May 2026 17:15:32 +0000</pubDate>
<dc:creator>wmvadmin2</dc:creator>
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<title>&amp;apos;ആട്ടം&amp;apos; മികച്ച ചിത്രം: ആനന്ദ് ഏകർഷിക്കും ടീമിനും അഭിനന്ദനങ്ങൾ; ആരാണീ അഞ്ജലി..? &#45; ഏബ്രഹാം കുര്യൻ</title>
<link>https://worldmalayaleevoice.com/aattam</link>
<guid>https://worldmalayaleevoice.com/aattam</guid>
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<pubDate>Fri, 16 Aug 2024 12:32:41 +0000</pubDate>
<dc:creator>wmvadmin2</dc:creator>
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<title>ആടുജീവിതം നോവലും സിനിമയും  : അവലോകനം, സൂസൻ പാലാത്ര</title>
<link>https://worldmalayaleevoice.com/aadu-jeevithm-susan-palathra</link>
<guid>https://worldmalayaleevoice.com/aadu-jeevithm-susan-palathra</guid>
<description><![CDATA[  ]]></description>
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<pubDate>Thu, 11 Apr 2024 19:40:39 +0000</pubDate>
<dc:creator>wmvadmin2</dc:creator>
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<title> അപരസാമ്യമില്ലാത്ത ജോൺസൻ മാസ്റ്റർ : കടക്കാവൂർ, പ്രേമചന്ദ്രൻ നായർ</title>
<link>https://worldmalayaleevoice.com/johnson-master-premachandran-nair</link>
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<pubDate>Tue, 26 Mar 2024 06:54:47 +0000</pubDate>
<dc:creator>wmvadmin2</dc:creator>
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<title>കരിക്കോട്ടക്കരിപ്പാട്ട്:  ജോൺ വറുഗീസ്</title>
<link>https://worldmalayaleevoice.com/karrikkottakkarippattu-john-varughese</link>
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<pubDate>Mon, 25 Mar 2024 19:18:07 +0000</pubDate>
<dc:creator>wmvadmin2</dc:creator>
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